Way of the Dark Souls Samurai
Nioh - Review
The rocky road to Team Ninja’s release of Nioh meant that a lot of factors were working against the action RPG when it hit store shelves in February. It had originally been announced back in 2004 by Koei as a straight RPG adaptation of Oni, an unfinished script by famed Japanese film legend Akira Kurosawa. Over the years, it was ripped apart and stitched back together by various development teams trying desperately to make it work. Nioh became a Dynasty Warriors-esque large-scale war game after the merger of Tecmo and Koei. The multiple development teams slowly scrapped almost all of the Akira Kurosawa’s story beats from the title. It wasn’t until Team Ninja fully took control of the project in 2012 that Nioh became recognizably similar to the game that released in 2017.
Team Ninja had a very simple elevator pitch for their vision of Nioh: What if you combined a fanciful retelling of Japan’s Sengoku jidai with Dark Souls? Nioh weaves the heavily altered story of William Adams, a sailor for the Dutch East India Company who became the first Western samurai, a top adviser to Japan’s Shogun, Tokugawa Ieyasu, and became known as Miura Anjin. Those three facts are about all that remain in Nioh of the real William’s life story.
Nioh takes the framework of William’s journey to Japan in the 1600s at the end of one hundred years of civil war and brings it into a more fanciful setting full of spirits and monsters. William begins his tale in England, where a mysterious figure named Edward Kelley imprisons his guardian spirit. The pursuit of this creepy sorcerer takes William to the shores of Japan where evil spirits and demons have run amok, feeding off the death caused by the war. William’s becomes embroiled in the war himself after finding that the sorcerer has allied himself with the enemies of Tokugawa Ieyasu. Soon the conflict threatens to spin out of control as the sorcerer wields ever more powerful magic granted by his consumption of guardian spirits and crystallized spirit stones called Amrita.
William, however, has his own array of abilities to combat threats both magical and mundane. One of Nioh’s draws is the ability to play with a wide selection of fighting styles. Players can choose from katana, axe, dual wielding swords, spears, and kusarigama (a sickle with a weighted chain). Each weapon has its own unique style and move set that becomes even deeper with the addition of stances. Any given weapon has three separate stances, high, mid, and low. High stance has slower, more powerful attacks, middle has a good mix between power and agility, and low stance tends to have the fastest attack and dodge speeds. Each of these stances alters the move sets and combos of their given weapon in addition to their differing benefits. On top of that, Nioh allows players to put points into ninjutsu and onmyo to gain ninja and spellcasting abilities.
The robust combat system presents a definite learning curve. Those just beginning Nioh will doubtlessly struggle with when to switch stances and the make use of the various abilities at their disposal. However, the true mechanic that every Nioh player will absolutely need to master comes down to one thing: Ki.
In Dark Souls, players must manage a stamina gauge that depletes as various attacks are used. Nioh has a Ki meter that serves the same purpose. However, the key difference between the two systems is that timing a follow-up button press after a string of attacks restores some of the player’s lost Ki. This means that those with a good sense of timing and battle rhythm can make more attacks or dodges without becoming exhausted and vulnerable. Some abilities even give attack bonuses for players who can pull off this move. This technique becomes even more necessary when battling the demonic yokai spirits who can create areas that slow Ki regeneration unless the player can purify them with that well-timed button press.
Nioh does a number of small, yet significant things when it comes to combat that make it feel like a fresh experience. Adding the active Ki system goes a long way toward creating more engaging combat, but so does extending the effectiveness of status impairments. Typically, status effects in games are more for the rank and file enemies. Nioh allows even the bosses to be affected by the likes of poison, fire, and paralysis. These can help give the winning edge in a particularly challenging boss fight or make an otherwise difficult enemy encounter manageable.
Projectile weapons also go a long way toward breathing life into Nioh. Players can equip bows, matchlock rifles, or personal cannons to deal with enemies from afar. These weapons prove to be very effective and benefit from leveling stats that benefit your hand-to-hand combat abilities, so they continue to be effective into the late game. In fact, I was able to take down the final boss of Nioh with a shred of health from cover by making quick use of my fully loaded cannon to land critical headshots.
Nioh slips up most when it comes to the level design. One of the things that worked in the favor of the Dark Souls series was the interconnected world that truly felt like a giant puzzle to be solved through exploration. Nioh has a much more linear structure governed by missions. Each mission is its own contained world that leads players toward a boss fight. The quality of these areas varies greatly. Some are perfectly serviceable, a few inch up into “good” territory, but many of them are only interesting on a visual level and only present straight-forward slogs from one combat encounter to another. The worst levels include areas where the player can easily slip off a ledge and fall to what feels like an incredibly cheap death.
One boss fight in particular happens to encapsulate both the frustrating level and boss design. A decent slice into the game, the player is tasked with clearing out a flooded temple. Upon reaching the boss, the player becomes locked inside an arena floating on the water to do battle with a giant ooze monster. Except you can’t swim in Nioh, so a trip off the edge of the arena is an instant death. Just don’t fall off, right? Well, the boss is such a large creature, that targeting it means you can’t see anything behind you, so it becomes difficult to tell when you’re in danger of running off the edge. Okay, so don’t target the creature? Well, if you let your attention wander, you might miss the short wind up it does for a move that blasts half the arena with an insta-death energy beam. If you happen to be doing fine against this yokai hell-beast, it actually has two versions of its insta-death move. The first has a warning animation of about a second or two. The second has a split-second jiggle that’s easily missed in the heat of combat.
Speaking of those bosses, they represent some of the most irritating encounters I’ve had in video games. Some are relatively easy to overcome while others will leave you dazed with how quickly they destroyed you. Many of the bosses present long, painful bouts of learning when to dodge, what moves will instantly kill you, and what you can or can’t block. On the other hand, a fair number of these encounters feel like truly climactic battles where the odds are stacked against you.
When everything goes right in Nioh, it feels wonderfully fluid, responsive, and challenging. The combat shines brightly as something from which future games in the action RPG genre should draw inspiration. While Dark Souls mastered slow, methodical combat and Bloodborne rewarded fast, brutal aggression, Nioh requires players to be fast and precise in order to keep abreast of the chaotic action. However, that’s a delicate balance to maintain and sometimes bosses and level design don’t quite support that balancing act. The visual designs of monsters are routinely interesting to take in and discovering new creatures adds to the fun of progression. The loot system feels unnecessary and clutters up Nioh with useless items.
There’s a very solid core to Nioh that deserves expansion. A little more inspiration from similar games (some kind of healing reward for aggression similar to Bloodborne might have been nice), while cutting any needless complications or unfair designs could go a long way toward taking any Nioh successor to even greater acclaim in the future.
Is It Fun?:
Take Dark Souls add mechanics, medieval Japan, and Diablo
Some interesting monster designs, but ultimately lackluster
The clang and clash of steel never stops being satisfying
Smooth as heck and a joy to play - when things go right
People who really needed more loot in Dark Souls
Nioh is now available for PlayStation 4 and PC